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Now includes Inkjet Dodge Masking!

"I entered my darkroom 6 am last Sunday, and crawled out at 6 pm. I was using your masking system, and I'm happy to say that I am hooked. I feel as if a portal has just opened up for me!" Roy Pope - photographer, AZ More testimonials

By utilizing one form of masking or another, the photographer can have far greater control, from subtle to extreme, on his print quality than paper grade or developer changes alone can allow. In most cases the results from contrast masking cannot be duplicated, or even approached, by standard photographic techniques such as altering development, split filtration printing or utilizing different paper grade/developer combinations. Masking adds the further benefit of local contrast control (altering contrast within specific areas of the image) and when used in conjunction with variable contrast papers the methods for obtaining stunning print quality are practically limitless! All of this is accomplished without subjecting the original negative to any potentially damaging situations such as chemical reduction or intensification. In all of the masking procedures discussed in the kit, the original negative is not damaged - or even punched - in any way.

The Contrast Masking Kit contains some materials which otherwise may be difficult to obtain. Some of the masking procedures in this kit have not been previously published and are the result of Lynn Radeka's experimentation over the past 35+ years, and some have evolved from experimentation during the Contrast Masking Workshops. Master photographer and teacher Dr. Dennis McNutt, along with photographer Mark Jilg, wrote three of the masking articles included in the kit as well. Whether you're a beginning photographer or an experienced professional, you'll find the techniques detailed in this kit amazingly easy to follow and apply. The bottom line: Contrast Masking is easy to do, very inexpensive, not overly time consuming and can have a remarkably profound effect on your print quality - so much so that it just may change the way you view fine-printing forever!

SCIM and CRM mask example from the Contrast Masking Kit:

Straight print
Top left image (straight print - no masks): Print on grade 2 paper with no masks, only moderate dodging and burning. Highlight contrast is appropriate, but shadows are dark and empty, lacking luminosity and vitality. Overall print looks "gaudy" and harsh. Top right image - With CRM and SCIM (Final print): Print on grade 2 paper. Print made from the original neg and CRM sandwich (to open up the shadows and reveal detail and light) followed by a second exposure using a SCIM mask to deepen the fine black accents within the broad shadows. The result is luminous, open shadows revealing an increase of detail and "life" within the shadows. The final print exhibits a true sense of texture and light throughout - something that would be impossible to achieve by standard methods.

FOG MASK example from the Contrast Masking Kit:

Top left image (straight print, no masks): Print made on grade 3 paper without masks. Sky was moderately burned in, but needs to be much darker to preserve the brooding stormy feeling. Excessive sky burning would affect the standing rocks which project above the horizon. Elaborate burning tools could be made but would likely result in an artificial over-burned look. Background rocks are of the appropriate value. Bushes and shadow areas are dark and "lifeless". Going to a softer grade paper makes the print look very dull in both the shadows and light values. Top right image - CRM plus SCIM plus Fog Mask (Final print): Final print made on grade 3 paper. Print made using a sandwich of the original neg with a CRM, followed by a SCIM mask exposure. This served to open the shadows, sharpen edge detail a bit, and reduce the harsh feel of the overall image while maintaining good crisp contrast within the shadows and darker values. A final exposure was given to the print using a Fog Mask pin-registered in the enlarger. The sky was softened and darkened substantially, without any noticable edge effects near the standing rocks at the skyline. Some additional burning was done locally with the fog mask in order to smooth-out some of the distracting areas mostly along the edges of the image. The improvement in the aesthetic mood of the print is substantial and the final print has a somber yet eloquent quality.

 

Contrast Masking Kit contains:

Two Registration pins (1/4" round to fit standard paper hole punches).* Please note that the original negative is NEVER punched or marred in any way when using this system. These pins can be used to easily make your own pin-registration carrier system with the instructions included in the manual. The Precision Pin-Registration Carrier Systems are also available for photographers who want extreme accuracy and efficiency in mask-making and printing.

One sheet of 8.5" x 11" Kodak Duratrans (or similar) diffusion material - the ideal textureless diffusion material for use in making masks, printing, and "on the scene" pre-exposure in the camera. This rather expensive material is not easily available in small quantities elsewhere, and is far superior to white plexiglass in that it can be sandwiched in between masks and or negatives while maintaining pin-registration (essential for some of the masks).

A manual including complete instructions on various techniques, including mask making and use, including: The original articles on SCIM (shadow contrast increase mask), CRM (contrast reduction mask), and HLM (highlight mask) by Dennis McNutt and Mark Jilg, with complete instructions on making a pin-registration negative carrier for your enlarger. Also includes detailed information and instructions for making Unsharp Masks. Dodge Masks, Fog Masks and Special Contrast Increase Masks by Lynn Radeka are also discussed in detail, with instructions, diagrams and illustrations for making and using each type of mask. Comparison illustrations give the reader a good example of how each mask affects the values of the print.

The new expanded Contrast Masking Kit now includes chapters on Inkjet Dodge Masking (use your computer to produce ultimate dodge masks), Combination Toning, Small and Large Format Masking, Paper Plane Masking (ideal for small format negatives) and more charts and updated diagrams.

Complete examples and step by step procedures including diagrams, curves and reproductions of various masks and effects.

Inkjet reproductions of photographs on a separate "insert" page showing the various stages of manipulations.

Instructions and formulas on procedures that Lynn Radeka employs the most, including his highlight "brightener" bleach formula, Ansco 120 print developer, and SLIMT contraction development of the negative for high quality results.

Darkroom printing records for documenting printing manipulations, including dodging and burning with masks, etc. These record sheets may be Xeroxed or copied by the user.

Discount voucher worth $50 off the purchase price of any Radeka original print off of this internet site.

A CD with screensaver, slideshow and desktop images in color and Black and White. Also includes the demo version of the CompuPic Image Browser for PC and Mac, the trial version of ACDSee, and a new section of informative masking examples including several pages of interactive images. A new Inkjet Dodge Mask folder on the CD includes Photoshop actions to automatically generate an inkjet dodge mask for applying to shadow areas or highlight areas and a color file to make your own inkjet dodge mask for local contrast control when using variable contrast printing papers.

* Note: These pins are not included if the Contrast Masking Kit is purchased as part of the "Complete" Precision pin-registration carrier system. The carrier system already includes pins attached to the glass carrier.

The price of the complete kit is $84.95 plus shipping. Schools and workshop instructors may contact me to discuss quantity discounts. Please see the ordering page for ordering details.

Now also available are the long-awaited and very popular Precision Pin-Registration Carrier Systems. These are designed to make the process of mask-making and printing a breeze.

For more examples, including interactive mask effects, masking Faqs, and a commentary on
"digital vs. traditional black and white printing", please visit www.MaskingKits.com

To view images and examples from previous workshop participants, please visit the Contrast Masking Gallery

E-mail note: If you don't receive a timely response to your e-mail, I am either out of town or your e-mail may have been blocked by a spam blocker. Please try my secondary address

Contrast Masking Kit Copyright © Lynn Radeka. All rights reserved.
All photographs on this site are copyright © Lynn Radeka. All rights reserved.